i’m sorry — your quest to have the coolest jeans in the entire world has been thwarted. i already have them. perhaps you could start looking for a nice jacket instead?
en garde, mudguard — yes, well… still some residual splashing, but the whole covered in mud ’n’ ick factor is down from monday’s all time high of 9.9 to somewhere around 2.2 to 2.5… i can live with that… next project: tiny windscreen wipers…
peaky — weird. reading some street press over the shoulder of a guy on the bus yesterday afternoon, & there was a little thing about radiohead’s new album, which is due for release in early may, & their guitarist was going, “it’s really good, it’s the best thing we’ve done, it’s kinda like all the best bits from the bends & ok computer & kid a & amnesiac all put together…”
so then i go — “oh wow, cool.” & then i think to myself, “sure, he’s gonna say that, he wants me to buy the album…” & then i think, “wait on, it’s radiohead, they’re beyond that simple corporate hype, it must be really good…” & then i think, “sucker, c’mon, being beyond corporate hype is like, a classic corporate hype strategy in itself.” & then i think, “but i’m gonna buy it anyway, so just forget the whole corporate hype/no corporate hype dilemma. the album must be really good.”
& then i go — “but, you know, every time i write something (well, not every time, but you know, when i finish something) i think it’s as good if not better than anything i’ve finished previously, even if it’s not… so mebbe he’s just too close to it at the moment to tell, & i’m just gonna hafta wait to listen to it…” & then i thought, “wow, it will just totally suck if the album sucks…”
warning: what passes for the point approaching — which started me thinking about how artists seem to peak at different points in their careers, which led me to wonder if mebbe i didn’t peak a few years ago, & all that’s left for me now are rewrites & rehashes of things i’ve already done (empirical evidence suggests this could be so), followed by desultory appearances at readings at rsl clubs, & then the occasional nostalgic poetry cabaret, with mebbe a poem turning up in some kinda one hit wonders of the 1990s anthology…
rooty-toot-toot — so mebbe i should move to rooty hill so i don’t hafta travel too far if i do score a gig at the rsl?
& you know — there wasn’t any moment of transcendence, but i sorta discovered that really, i just don’t care… not in a hopeless, despairing kinda way, but more in a, well, if i hafta buy some leather pants & work up a greatest hit [sic] set, then i guess that’ll be okay…
hmmm — so have i attained some kinda zen-like tranquility, or just a comfortable acceptance of incipient mediocrity?